“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Premier épisode, « … autant choisir son bruit… » « … autant choisir son bruit… » [0› – 6’52’’] Intermezzo
Continue reading“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Premier épisode, « … autant choisir son bruit… » « … autant choisir son bruit… » [0› – 6’52’’] Intermezzo
Continue reading“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Musical creation: Collectif /nu/thing (Andrea Agostini, Daniele Ghisi, Eric Maestri, Andrea Sarto)Visual creation: Studio ExperiensS (Thomas Bouaziz)Duration: 30 minutes Commissioned
Continue readingWere You There at the Beginning, for sounds and lights (2022) – 30′
dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una
Une enquête-composée / a enquiry-composed …
Continue readingMusiciens, un podcast-composé / a podcast-composed (2020) – 1h55m – [op.38]
[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound
Continue readingMetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]
[it] Margini del pianoforte; margini dei pensieri intorno alle note, alla notte, una ad una. Un flusso. Un libro di
Continue readingMargini, for piano (2019-20) – 25′ – [op. 36]
Consolations, for piano (2019) – 11′ – [op. 35] [it] Ripetere può diventare un’ossessione. Quando la ripetizione non ripete precisamente quello
Continue readingConsolations, for piano (2019) – 11′ – [op. 35]
Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini [it] L’Intermezzo è in questo senso la transizione da un momento
Continue readingIntermezzo, for piano and electronics (2019) – 8′ – [op. 34]
Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and
Trans for tenor saxophone and electronics (2018-19) – 14′ – [op. 32] commissioned by ensemble l’imaginaire premiered in Strasbourg by
Continue readingTrans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]
Rests, for electronics (2018) – 19′ – [op. 31b] [it] Rest comincia da residui di storie. La musica stessa è
Continue readingRests, for electronics (2018) – 19′ – [op. 31b]
Commission: MIM (Musique Informatique Marseille) Premiere: December 7th 2017, Cité de la musique, Marseille Co-author: Laura Odasso Technique: multichannel (4
Continue reading…di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]
L’obscurité environnante se déchire, s’éclaire instrumentation: oboe, violin, cello duration: 11′ Written for Ensemble Recherche first performance: 1/12/2017, Haus der Musik,
/nu/thing I MILLE FUOCHI DELL’UNIVERSO première in Milano Musica (28 – 29 october 2017, Hangar Bicocca) MDI ensemble Commision: Festival
Continue readingI mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]
Partant de nulle part pour arriver nulle part, Recombinant #3 est un mélange de deux travellings dont le résultat est
Continue readingRecombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]
CD release: January 15th 2017 stradivarius amazon itunes qobuz About the CD: critics —> Percorsi Musicali —> Ondarock
Continue readingLe cose – monographic CD/Stradivarius – ensemble l’instant donné – 62′
Blu, for e-guitar and string trio first performance: 22 October 2016, Tokyo Opera Hall, Tokyo, Japan Commissionned by Norio Sato
Continue readingBlu, for e-guitar and string trio (2016) – 14′ – [op.27]
Ancora la notte – 6′ for string trio Publisher: Edizioni Suvini Zerboni Ancora la notte Écrire c’est tenter de savoir
Continue readingAncora la notte, string trio (2014-15) – 6′ – [op.25]