Mixed music

May 4, 2022 0

I asked Pennati what he has thought of Koh Tao, for ensemble and electronics (2021) – 13′ – [op. 40]

October 27, 2020 0

E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]

dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una sintassi strana; vertigine. Un mondo si crea; i tifoni e i maremoti sono pieni di densità di blu, plankton, fiumi, pianure, erbe, radiazioni. Le tracce sono quelle dei suoni, della voce di Livia Rado, che legge una [...]

June 3, 2020 0

MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]

[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound as a score. Performers must listen to these sounds through headphones and imitate them. This aural score uses electronic sounds, mostly synthetic and environmental sounds, which are not feasible as such by instruments. Thus, musicians must [...]

January 21, 2020 0

Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]

Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini [it] L’Intermezzo è in questo senso la transizione da un momento all’altro. All’inizio premi, premi, colpisci; poi colpisci ancora più forte, con tutto il corpo. Ripeti, ripeti, varia, colpisci in altri posti; urla. E infine scappa, muoviti cambiando [...]

May 2, 2019 0

Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]

Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and electronics commissioned by Ircam-Centre Pompidou Ensemble L’instant donné Computer Music Design, Eric maestri and Benoit Meudic Piece composed at the Ircam studios in Paris and performed at Centre Pompidou during [...]