electroacoustic

September 14, 2022 0

Were You There at the Beginning, for sounds and lights (2022) – 30′

Musical creation: Collectif /nu/thing (Andrea Agostini, Daniele Ghisi, Eric Maestri, Andrea Sarto)Visual creation: Studio ExperiensS (Thomas Bouaziz)Duration: 30 minutes Commissioned by Monde Nouveux, Ministère de la culture et de la communication for the inauguration of Ircam’s Espace de [...]

October 27, 2020 0

E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]

dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una sintassi strana; vertigine. Un mondo si crea; i tifoni e i maremoti sono pieni di densità di blu, plankton, fiumi, pianure, erbe, radiazioni. Le tracce sono quelle dei suoni, della voce di Livia Rado, che legge una [...]

October 21, 2020 0

Musiciens, un podcast-composé / a podcast-composed (2020) – 1h55m – [op.38]

Une enquête-composée / a enquiry-composed [...]

June 3, 2020 0

MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]

[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound as a score. Performers must listen to these sounds through headphones and imitate them. This aural score uses electronic sounds, mostly synthetic and environmental sounds, which are not feasible as such by instruments. Thus, musicians must [...]

January 21, 2020 0

Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]

Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini [it] L’Intermezzo è in questo senso la transizione da un momento all’altro. All’inizio premi, premi, colpisci; poi colpisci ancora più forte, con tutto il corpo. Ripeti, ripeti, varia, colpisci in altri posti; urla. E infine scappa, muoviti cambiando [...]

May 2, 2019 0

Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]

Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and electronics commissioned by Ircam-Centre Pompidou Ensemble L’instant donné Computer Music Design, Eric maestri and Benoit Meudic Piece composed at the Ircam studios in Paris and performed at Centre Pompidou during [...]

October 8, 2018 0

Trans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]

Trans for tenor saxophone and electronics (2018-19) – 14′ – [op. 32] commissioned by ensemble l’imaginaire premiered in Strasbourg by Philippe Koerper [it] Trans significa per me l’idea di attraversare, di avanzare; il brano rappresenta quest’idea di movimento continuo verso un’orizzonte lontano. Cerco di [...]

June 16, 2018 0

Rests, for electronics (2018) – 19′ – [op. 31b]

Rests, for electronics (2018) – 19′ – [op. 31b] [it] Rest comincia da residui di storie. La musica stessa è una storia. Una metafora sonora. Un sotto-testo che non appare mai fonda questo pezzo, che parte dai rimasugli di op. 31a, e li usa, posiziona. Rifletto sul suono e il suono riflette. Tramite questo atto di [...]

December 4, 2017 0

…di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]

Commission: MIM (Musique Informatique Marseille) Premiere: December 7th 2017, Cité de la musique, Marseille Co-author: Laura Odasso Technique: multichannel (4 to 8 channels) Coproduction: LabEX MED, AMU Université Artistic residency: Fondation Camargo [it] Résidus d’histoires comincia con dei residui di interviste. La sociologia è in [...]

May 10, 2017 0

I mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]

/nu/thing I MILLE FUOCHI DELL’UNIVERSO première in Milano Musica (28 – 29 october 2017, Hangar Bicocca) MDI ensemble Commision: Festival Milano Musica, Siemens Foundation « Che cos’è l’uomo nella natura? Un nulla in confronto all’infinito, un tutto in confronto al nulla, un qualcosa di mezzo fra nulla e tutto. » [...]

April 7, 2017 0

Recombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]

Partant de nulle part pour arriver nulle part, Recombinant #3 est un mélange de deux travellings dont le résultat est une expérience visuelle et sonore hypnotique aux limites de l’abstraction. video, Olivier Perriquet (http://cesium-133.net) music, Eric Maestri (http://ericmaestri.eu) —-> link to the video [...]

October 21, 2013 0

Visioni, ensemble and electronics (2012-13) – 27′ – [op.20]

Visioni (2012-13) 25′ for flute, saxophone, piano, percussion and electronics with Daniele Ghisi First performance 8/06/12 Hall des Chars, Strasbourg Ensemble L’Imaginaire First performance of the integral version 5/10/13 57a Biennale Venice Teatro Piccolo Arsenale Ensemble L’Imaginaire Objects, Olivier Perriquet Light design, [...]

October 19, 2013 0

La visione delle cose, ensemble and electronics (2012) – 25′ – [op.18]

La visione delle cose (2012) 25′ for ensemble and cythar speaker commissioned by ensemble Vortex dedicated to Francisco Huguet First performance 19/10/2012 Without Cage, minifest de musique de demain Strasbourg Ensemble Vortex Edizioni Suvini Zerboni Cithar speaker, built by Léo Maurel La Visione delle Cose is an aptent to make [...]

October 15, 2013 0

Autoritratto, for piano and string trio (2011-12) – 12′ – [op.16 a, b, c]

Autoritratto (2011-12) for string trio and piano Autoritratto ii (b) (2010) for piano Autoritratto ii (c) (2018) for piano and electronics [it] A mio avviso, il ritratto non rappresenta solo la cosa o la persona che si sta dipingendo, ma anche lo sguardo del pittore. È una sintesi, una sorta di narrazione attraverso l’immagine del rapporto [...]

September 10, 2013 0

Celestografia musica musicans, soprano, instruments and electronics (2010-11) – 25′ – [op.13]

Celestografia musica musicans (2010-11) 23′ for soprano, violin, piano, keyboards and electronics First performance Festival Agora 2011 (Ircam) Centre Pompidou, Paris Elisabeth Calleo, soprano Ensemble musikFabrik Edizioni Suvini Zerboni Propos recueillis par Jérémie Szpirglas Eric Maestri, à quoi se rapporte le titre de votre nouvelle [...]

September 6, 2013 0

Ritratto vivente, violin and electronics (2010-2011) – 11′ – [op.11]

Ritratto vivente (2010-11) 11′ for violin and electronics First performance, Ircam 2010 New version, Biennale Venice 30/09/11 Georgia Privitera, Violin Edizioni Suvini [...]