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Calendar by Kieran O'Shea
“Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Premier épisode, « … autant choisir son bruit… » « … autant choisir son bruit… » [0› – 6’52’’] Intermezzo I [6’52’’ – 8’28’’] Coda…
Read more “Sound”, for sounds and instruments (2023) – 55′ – [op. 41]
Were You There at the Beginning, for sounds and lights (2022) – 30′
Musical creation: Collectif /nu/thing (Andrea Agostini, Daniele Ghisi, Eric Maestri, Andrea Sarto)Visual creation: Studio Experien…
Read more Were You There at the Beginning, for sounds and lights (2022) – 30′
E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]
dedicato all’Arsenale, ai loro primi 15 anni [it] “E” di Camillo Pennati. Le parole scivolano e si arrotolano dentro una sin…
Read more E i tifoni i maremoti, for soprano, saxophone and electronics (2020) – 11′ – [op. 39]
Musiciens, un podcast-composé / a podcast-composed (2020) – 1h55m – [op.38]
Une enquête-composée / a enquiry-composed
MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]
[en] The idea of the MetActions – a series of sonic metaphors of sonic scores – is to use sound as a score. Performers…
Read more MetActions, a series of sonic metaphors of sonic scores (2020) [op. 37]
Margini, for piano (2019-20) – 25′ – [op. 36]
[it] Margini del pianoforte; margini dei pensieri intorno alle note, alla notte, una ad una. Un flusso. Un libro di pezzi per pian…
Consolations, for piano (2019) – 11′ – [op. 35]
Consolations, for piano (2019) – 11′ – [op. 35] [it] Ripetere può diventare un’ossessione. Quando la ripetizione…
Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]
Intermezzo [op.34] for piano and electronics dedicated to Franco Venturini [it] L’Intermezzo è in questo senso la transizion…
Read more Intermezzo, for piano and electronics (2019) – 8′ – [op. 34]
Comme le vent c’est nu c’est de l’encre, for ensemble and electronics (2019) – 16′ – [op. 33]
Comme le vent c’est nu c’est de l’encre [op. 33] for ensemble [Fl., Ob., Cl., Trbn. Pf. Vl, Va., Vc] and electro…
Trans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]
Trans for tenor saxophone and electronics (2018-19) – 14′ – [op. 32] commissioned by ensemble l’imaginaire…
Read more Trans, for tenor saxophone and electronics (2018-19) – 14′ – [op. 32]
Rests, for electronics (2018) – 19′ – [op. 31b]
Rests, for electronics (2018) – 19′ – [op. 31b] [it] Rest comincia da residui di storie. La musica stessa è una …
…di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]
Commission: MIM (Musique Informatique Marseille) Premiere: December 7th 2017, Cité de la musique, Marseille Co-author: Laura Odass…
Read more …di storie [Résidus d’histoires], multichannel electronics (2017) – 15′ – [op.31a]
L’obscurité environnante se déchire, s’éclaire, for oboe, violin and cello (2017) – 11′ – [op.30]
L’obscurité environnante se déchire, s’éclaire instrumentation: oboe, violin, cello duration: 11′ Written for En…
I mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]
/nu/thing I MILLE FUOCHI DELL’UNIVERSO première in Milano Musica (28 – 29 october 2017, Hangar Bicocca) MDI ensemble Commisi…
Read more I mille fuochi dell’universo, for ensemble and electronics (2017) – 38′ – [op.29]
Recombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]
Partant de nulle part pour arriver nulle part, Recombinant #3 est un mélange de deux travellings dont le résultat est une expérien…
Read more Recombinant #3, with Olivier Perriquet, video (2017) – 5′ – [op.28]
Blu, for e-guitar and string trio (2016) – 14′ – [op.27]
Blu, for e-guitar and string trio first performance: 22 October 2016, Tokyo Opera Hall, Tokyo, Japan Commissionned by Norio Sato a…
Read more Blu, for e-guitar and string trio (2016) – 14′ – [op.27]
Ancora la notte, string trio (2014-15) – 6′ – [op.25]
Ancora la notte – 6′ for string trio Publisher: Edizioni Suvini Zerboni Ancora la notte Écrire c’est tenter de s…
Read more Ancora la notte, string trio (2014-15) – 6′ – [op.25]
La musica è uno specchio trasparente, piano solo (2014) – 30′ – [op.24]
La musica è uno specchio trasparente dur. 30′ for piano solo Publisher: Edizioni Suvini Zerboni Quell’oc…
Read more La musica è uno specchio trasparente, piano solo (2014) – 30′ – [op.24]